I am a 20 year old male. I am straight. And I watch Glee. Every week. It's a show about, well, a glee club at a high school, filled with dancing quarterbacks, pregnant cheerleaders, and conflicted guidance counselors. It has love triangles, even love squares, and every high school stereotype imaginable. I don't miss an episode. In the show, the characters are constantly combating issues of identity. They are forced to confront who they are versus who they want to be, the expectations placed on them versus their true desires. Such is evident in the main character Finn, the starting quarterback of the football team who also happens to have the makings of a Broadway lead. Or the gay kid with the weird Beyonce obsession who also happens to be the best kicker on the football team. Or the kid in the wheelchair...well, you get the point.
There's a band I've been listening to lately called The National. Transplanted to Brooklyn via Cincinnati, they sound something like Leonard Cohen backed by the E Street Band and tend to write rather intense lyrics, which are then mumbled by lead singer Matt Berninger. One such song from their album Alligator is called "Baby We'll Be Fine," a heartwrenching story about a man slowly losing a grip on his life.
The song begins with Berninger singing of a sleepless night, during which he prays for recognition at work and even for his boss to hug him or offer some show of affection to the struggling worker. He eventually falls asleep only to wake up and manically run around the house and take a 45 minute shower, all the while telling himself that things will work out. In a great lyric, the man "puts on an argyle sweater and a smile" only to end up bored and depressed again that night. Calling upon his girlfriend to offer him "some entertainment" he begins to undress her, only to spill whiskey all over himself, at which point he breaks down begging for forgiveness as Berninger continuously repeats the line, "I'm so sorry for everything." Following a common theme, The Who penned a song in 1978 called "Who are You?" In it, Roger Daltrey tells Pete Townshend's story of a man who ends up in a bar in Soho, nearly passed out on the floor when he is approached by a cop. The officer tells the man, "You can go sleep at home tonight if you can get up and walk away." After a belligerent exchange with the cop, the broken down drunk, reflecting on an eleven hour workday and sinking into deeper melancholy, pulls himself off the ground and stumbles home, ending the song with a powerful verse:

I know there's a place you walked / Where love falls from the trees / My heart is like a broken cup / I only feel right on my knees / I spit out like a sewer cup / But still receive your kiss / How can I measure up to anyone now / After such a love as this?I had a couple of good friends from high school that all went off to college at the same time. Most of us stayed in the area, maybe separated from each other by 20 miles. At first we all stuck together, but slowly the distance and difference in schools began to wear on the relationships in the group and we all drifted away. From afar, I watched several of these friends begin to get heavily involved in the party scene at their respective schools, spending their weekends getting trashed and their weeknights getting high, as is customary at any off campus apartment complex stinking of spilled beer and stale weed.
I think it's fair to say, the majority of poor decisions made in life come from a lack of identity. Perhaps all bad decisions do. Even something as simple as a poor fashion choice, like skinny jeans, can be traced to a lack of identity, a result of searching for something that will affirm us. Such a search for affirmation is poetically expressed in that song from The National, which tells of a man going so far as to wish for his boss to hug him or his girlfriend to give up her body for him, merely so he can know who he is. But it doesn't satisfy him. Likewise, getting drunk and preaching to the bar from atop a chair merely leaves the protagonist from The Who song stumbling home alone and guilt-ridden. The thing is, if you don't have a proper definition of who you are, someone or something else will define you. Always. Such a struggle for definition will often encompass one's entire life. Perhaps that's why Glee has resonated so strongly. Aside from the catchy songs and creative writing, the show really addresses the conflicts inherent in all of us searching for an identity that will exceed others' expectations and meet ours.
But no temporal identity can really ever satisfy. Your intelligence will always let you down, the athleticism won't last, and the answers to life's questions are not found at the bottom of a bottle. There will always be someone smarter, stronger, faster, better, or ready to replace you. That's why Jesus' upside down message is so powerful.
Jesus meets us where we are at, in a place of broken down identity and poor decisions, whether we're stumbling home alone on a Saturday night or sitting in a pew Sunday morning. Jesus gets past all our temporal identities and frail facades. Jesus defines us as His followers, as children of God, no more, no less.I heard it said a couple of Sundays ago by Rob Bell that "Jesus did not bring a ladder, He brought a cross." There is no ladder to climb, no goal to attain, no identity to inhibit. We are loved and that's enough. So stop trying, stop searching, and rest. Jesus has identified us, how can we measure up to anyone now after such a love as this?
Now if you'll excuse me, it's time for Glee.

























